2019
Martin Bryder Gallery, Lund (S) KREV
Konstnärshuset, Stockholm (S) with Michael Esposito
2018
Gallerii Noorus, Tartu (EST)
3:E Våningen, Göteborg (S)
2017
Stefan Karlssons Museum för Dålig Konst, Göteborg (S)
Moderna Museet, Stockholm (S) KREV
Spazio Lampo, Chiasso (CH) KREV
Elgaland-Vargaland Pavilion, Venice (I) KREV
Leif Elggren / CM von Hausswolff, Martin Bryder Gallery Lund (S) with Leif Elggren
Elgaland-Vargaland, Narkissos Contemporary Art Gallery, Bologna (I) KREV
Red Angels, Arts Birthday, Södra Teatern Stockholm (S)
2016
Dust To Dust, Kummelholmen, Stockholm (S) , T. Nordanstad
Elgaland-Vargaland, Charlottenborg, Copenhagen (DK) KREV
Elgaland-Vargaland, Icebox Project Space, Philadelphia (USA) KREV
freq_out 12, Karlsplatz/Wien Canal, Vienna (A)
Elgaland-Vargaland, Museum of Fine Arts, Split (CRO) KREV
andquestionmark, Stockholm (S) with Esposito
2015
Red Empty, Konsthall Jönköping (S)
Notes, Martin Bryder Gallery, Lund (S)
La Otra Orilla / Graf Spee IV, Museo El Cabildo, Montevideo (URU) with Håfström/Fabra Guemberena
2014
KREV Embassy, National Gallery, Sofia (BUL) m L Eggren/ M Harding – KREV
Eternal Blessing, Institute for Contemporary Art, Philadelphia (USA)
Unvergessen (Graf Spee III), Wanås Art (S) with Jan Håfström and J-P Fabra Guemberena
freq_out 10, Marrakech biennale, Marrakech (MAR) with the freq_out collective
KREV Embassy, Kashba, Marrakech w. L. Elggren KREV
2013
I Am the Others, Lunds Konsthall, Lund (S)
KREV Embassy, Oslo Kunstförening, Oslo (N) KREV
freq_out 9, Stedelijk Museum(Sonic Acts, Amsterdam (NL) with the freq_out collective
Golden Days, TB A21 / Leon de Grieff Auditorium, Bogota, (COL) with T. Nordanstad
2012
Memory Works, Martin Bryder Gallery, Lund (S)
Royal Privy (KREV)
Galeria Mario Mazzoli, Berlin (I) with J Duncan
Recent Works, Gallery Niklas Belenius, Stockholm (S)
freq_out 8, Moderna Museet, Stockholm (S) with the freq_out collective
2011
Three Films, Oslo Art Society, Oslo (N) w Nordanstad
The North Is Protected (Death In Venice), Lido/Venice (I) with Elggren, Grönlund, Nisunen, Tomren
Tonspur, MuseumsQuartier, Wien (A)
Ver Gallery, Bangkok (TH) with Torbjörn Johansson
2010
Ghost Transmissions, Wilfried Lenz, Rotterdam (B) w Nico Dockx & Michael Esposito
Red, Gallery Niklas Belenius, Stockholm (S)
Mockridge Fountain, City of Melbourne (AUS)
Three Films, Galeria Enrico Fornello, Milano (I) with T. Nordanstad
2009
Tromsö Kunstforening, Tromsö (NO) with G Jenssen
Red-Red, Kaliningrad Regional Art Gallery (NCCA), Kaliningrad (RU) with Y Vassiliev
Leonardi Kulturprojekte, Karben/Frankfurt (D) KREV
Birdcage, Stockholm/Paris (S/F)
Adoptations, Gallery Niklas Belenius, Stockholm (S)
Aronsberg Jewish Cemetary, Stockholm (S)
Lydmar Hotel, Stockholm (S) with T Nordanstad
Enter: Sonic Tank, Tou Scene, Stavanger (N)
2008
Bolsjefabrikken/Zoo, Copenhagen (DK) KREV
Galleri 64,Paris (F) KREV
Monte San Martino (I) KREV
Galleri Mors Mössa, Göteborg (S) KREV
CCA, Kitakyushu (J) with Thomas Nordanstad
Cabaret Voltaire/Bodensee (SCH) KREV
Del Sol St Gallery, Santander (ES) KREV
Gallery Niklas Belenius, Stockholm (S) KREV
Modules Répondeur (F Jürgenson), Palais de Tokyo, Paris (F)
2007
Gallery 400, Chicago (USA) KREV
Toteninsel, Venice (I) KREV
Museo de la Ciudad, Santiago de Queretaro (MX)
Wanås (S), with J. Håfström & J-P Fabra
2006
Haus der Kulturen der Welt, Berlin (D) KREV
Museum for Modern and Contemporary Art, Rijeka, (Croatia)
Färgfabriken, Stockholm (S) (with Anita Gordh)
Diapason, New York City (USA)
2005
Beaconsfield, London (UK)
2004
OK Spektral, OK Centrum für Gegenwarte Kunst, Linz (A)
Chiangmai Contemporary Art Museum, Chiangmai (Thai)
Brändström & Stene, Stockholm (S)
Portikus, Frankfurt am Main (D)
2003
Galerija Miroslav Kraljevic, Zagreb (Cro)
NicolaFornello, Prato (I) with John Duncan
2002
Pierogi Gallery, New York (USA) with L. Elggren
Vita boxen, Umeå
2001
CCA, Kitakyushu, (J)
Andrehn-Schiptjenko, Stockholm (S)
Eskilstuna Konstmuseum, Eskilstuna (S) (with L. Elggren) KREV
2000
Artspace 1%, København (DK) (with Bigert & Bergström)
1999
Skuc Gallery, Ljubljana (SLO) (with P. Hagdahl, L. Elggren)
1998
Andrehn-Schiptjenko, Stockholm (S)
Kiasma Museum for Contemporary Art, Helsinki (FIN), (with Tommi Grönlund/Petteri Nisunen)
1996
Bijster Gallery, Amsterdam (NL) KREV
Bunker/Box 23, Kaliningrad (RUS) KREV
Unterm Durchschnitt, Hamburg (G) KREV
Thomas Nordanstad Gallery, New York (USA) KREV
1995
Kalmar Konstmuseum (S) KREV
1994
Alli Poli Gallery, Tessaloniki (G) KREV
Internet: HYPERLINK “http://www.it.kth.se/KREV/” http://www.it.kth.se/KREV/ (2003: http://www.krev.org)
Nordanstad Gallery, New York City (USA) KREV
Nylistasafnid, Reykjavik (IS) KREV
1993
Galleri Mors Mössa, Göteborg (S) KREV
Andrehn-Schiptjenko, Stockholm (S) KREV
1991
Galleri Mors Mössa, Göteborg (S) with E. Pauser
1990
Konsthall Alka, Linköping (S) with E Pauser and L Elggren
1989
Galleri Mors Mössa, Göteborg (S) with Erik Pauser
1986
A Journey Through The World part II (Zürich-Zürich 1986) with E Pauser
1984
Centrallagret, Stockholm (S) with U Hillebrand
Galleri Mors Mössa, Göteborg (S) with E Pauser, T Liljenberg and L Elggren
1983
Hemlösa Brunn, Göteborg (S)
Grand Hotel, Stockholm (S) with T Liljenberg, E Pauser and L Elggren
A Jorney Through The World, part I (Alger-Lagos 1983) with E Pauser
1982
Lukasgalleriet/Gamla Vattentornet, Linköping (S) with T Liljenberg, E Pauser and L Elggren
Galleri Mors Mössa, Göteborg (S) with E Pauser, T Liljenberg and L Elggren
1981
Skogshuggarens Dröm, Galleri DS, Göteborg (S) with E Pauser
Mat för de Svältande, Galleri DS, Göteborg (S) with E Pauser
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Release
CD - 4 tracks
Track listing:
Track A: Day and Night 27:14
1. Day
2. Night
3. Alas!Track B
4. The Sleeper in the Valley 13:32I was approached by my old friend and Radium 226.05 colleague Ulrich Hillebrand, now director of Angered Theatre in Göteborg. He informed me that there was a new play in the process of being written by author and theorist Michael Azar called "Jag är en annan" (I is another) stemming form the famous letter written by Arthur Rimbaud in his youth. The play uses Rimbaud's life from being a young poet in Charleville ending with him being the trader in Harar, Ethiopia. Hillebrand asked me if I was willing to compose the music to this play. I accepted. I told Hillebrand that I needed to use material that had something to do with Rimbaud's life and as he had connections in Ethiopia and in the small city of Harar he said: why don't you go to Harar for 10 days and see what you can find?
So I went to Addis Ababa where a guy was waiting for me and drove me the 10 hours beautiful ride to Harar. I made recordings and looked for other useful material.