2020
Music Will Ruin Everything, Book/CD (Sub Jam, Beijing)
2019
Tonic Immobility: From Here to Tranquility vol. 11 (Silent Records)
2017
27 years later, K7, (Generations Unlimited/Generator, NYC)
[waves of redemption], DL (Substrata/Bandcamp, Mexico City)
A Can of Worms, K7 (Tapeworm)
Medium …university blabla
Message 23 by Vanessa Sinclair (DL)
2014
An Exacerbated Eclectic Compilation, CD (WFMU, New York)
2013
Touch.30 – Live at Beaconsfield, USB (Touch, London)
2012
Swedish Energy, CD (iDeal, Stockholm)
Touch. 30 years and counting, LP/CD (Touch, London)
2009
The Plastic People, CD (Vibrö, Paris)
2008
Ars Telefonica, Book/CD (Bucharest)
Acoustic Diagnostic, CD-R (NCCA, Kaliningrad)
2007
Visionaire 53 Sound, LP/CD (Visionaire, New York City)
KKH1 Lock Grooves, 7” (Royal Academy of Fine Arts, Stockholm)
2006
2LP Städel (with Vainio) (Städelschule, Frankfurt am Main)
2005
Hexenschüss, LP (with JG Thirlwell) (Städelshule, Frankfurt am Main)
Ghosttransmissions, CD (Cubitt-co-Curious, Antwerp)
Untitled songs, CD (sirr, Lisboa)
Yokomono 2, LP (Staalplaat, Berlin/Amsterdam)
2004
Record #1, LP (Städelshule, Frankfurt am Main)
An anthology of noise and electronic music #3, CD (SubRosa, Brussells)
.ipeg bild ton maschine, comp CD (Berlin)
2003
Research Center For The Definition Of Happiness, CDR (Absurd, Athens)
Hausswolff/Duncan/Elggren, 7” (Die Stadt, Bremen)
60 Sound Artists Protest The War, compCD (atak, Tokyo)
2002
Avanto compCD (Avanto, Helsinki)
Floating Foundation vol 2, compCD (SubRosa, Bruxelles)
Prototypes, compCD (Laton, Vienna)
Konstantin Raudive the Voices from the Dead (SubRosa, Bruxelles)
The Void compCD (CCA, Kitakyushu)
Frequensen (Hz), compCD (Schirn Kunstalle, Frankfurt)
Because Tomorrow Comes #4, comp CD (BTC, Cologne)
2001
The North Is Protected, comp Catalogue/10” (Biennale di Venezia, Nordic Pavillion, Helsinki/Venezia)
Paletten sound issue, with Leif Elggren, magazine/CD (Paletten, Göteborg)
Sound Art, comp CD (Phono Suecia, Stockholm)
RL, comp LP/CD (Färgfabriken/Firework Ed., Stockholm)
Volume, compCD (PS1, New York)
2000
Comp 2×7” (Die Stadt, Bremen)
Wire live, KREV, compCD (Wire, London)
Mutations, compCD (Arc en Reve, Bordeaux)
Sound Art – Sound As Media, comp Catalogue/CD (ICC, Tokyo)
Audible Light, comp CD (MoMA , Oxford)
1999
Meme, compCD (meme, Tokyo)
1% Lydkunst, OCSID, comp magazine/CD (1%, Copenhagen)
1998
Make It Funky, KREV, compCD/book (Cologne)
Crossings, comp Catalogue/CD (Cantz)
1997
Links Outta Here, comp.CD (Generator, New York City)
o, comp.7″ (Die Stadt, Bremen, Tyskland)
Killing Me Softly With Noise, compCD (Noise, Taiwan)
1996
The Nordic Sound Review , The Hafler Trio, comp.CD (SIKSI, Helsinki)
A Fault In The Nothing, comp.CD (Ash International, London)
From Here To Tranquility, Phauss & PGR, comp.CD (Silent Records, San Francisco)
1995
Mesmervariations, comp.CD (Ash International, London)
1994
Anckarström Live, Phauss, comp.CD (Staalplaat, Amsterdam)
1993
Textures, Phauss, comp.CD (Limur, Göteborg)
50 Years of Sunshine, Phauss, comp.CD (Silent Records, San Francisco)
Arcana Caelestia, Phauss, comp.CD (Multimood Records, Göteborg)
1991
Apo Mikhanis Music, Phauss, comp. LP (Ano Kato, Thessaloniki, Grekland)
Testament, Phauss, comp.7″ box (RRRecords, Lowell, USA)
1989
This Infernal Love Of Life, Phauss, compLP (TOPYScan, Stockholm)
1988
The Call of Madonna Luisa Ciccione, Phauss, comp.k7 (AIIP Wiesbaden, Västtyskland)
1987
Dry Lungs III, with Z Karkowski, compLP/cass (Placebo Records, Phoenix, USA)
1984
Gothenburg 84, compLP, (Radium 226.05, Göteborg)
-
Release
CD - 4 tracks
Track listing:
Track A: Day and Night 27:14
1. Day
2. Night
3. Alas!Track B
4. The Sleeper in the Valley 13:32I was approached by my old friend and Radium 226.05 colleague Ulrich Hillebrand, now director of Angered Theatre in Göteborg. He informed me that there was a new play in the process of being written by author and theorist Michael Azar called "Jag är en annan" (I is another) stemming form the famous letter written by Arthur Rimbaud in his youth. The play uses Rimbaud's life from being a young poet in Charleville ending with him being the trader in Harar, Ethiopia. Hillebrand asked me if I was willing to compose the music to this play. I accepted. I told Hillebrand that I needed to use material that had something to do with Rimbaud's life and as he had connections in Ethiopia and in the small city of Harar he said: why don't you go to Harar for 10 days and see what you can find?
So I went to Addis Ababa where a guy was waiting for me and drove me the 10 hours beautiful ride to Harar. I made recordings and looked for other useful material.